Iconic Italian Cinema
Italian cinema has produced numerous iconic films that have left a lasting impact on global culture. Among the most celebrated are Federico Fellini's masterpieces such as "8½" (1963) and "Amarcord" (1973), which showcase his unique storytelling and visual style [1:1]. Another must-see is Vittorio De Sica's "Ladri di biciclette" (1948), a cornerstone of the Neorealismo movement, renowned for its poignant portrayal of post-war Italy
[2:1].
Neorealism Movement
The Neorealismo movement revolutionized Italian cinema by focusing on the everyday lives of ordinary people. "Roma città aperta" (1945) by Roberto Rossellini is credited with kickstarting this movement, while "Bicycle Thieves" (1948) remains one of its most acclaimed works [2]. These films are characterized by their raw realism and social commentary, offering insight into Italian society during challenging times.
Sergio Leone's Influence
Sergio Leone's films, particularly the "Trilogia del dollaro" (1964-1966) and "C'era una volta il West" (1968), brought a distinct Italian flair to the Western genre. Known for their epic storytelling and memorable scores, these films have become classics in their own right [1:1]
[1:4].
Luchino Visconti's Masterpieces
Luchino Visconti, an influential figure in Italian cinema, is known for his operatic aesthetic and period dramas. "The Leopard" (1963) is often regarded as one of his greatest achievements, praised for its grandeur and historical depth [4:3]. Visconti's work spans various styles, from neorealism to lush melodramas, with notable films like "Rocco and His Brothers" and "Death in Venice"
[4:1]
[4:2].
Modern Italian Classics
In more recent years, films like "La vita è bella" (1997) by Roberto Benigni have captured international audiences with their heartwarming yet powerful narratives [2:4]
[3:1]. Other modern classics include Paolo Sorrentino's "La grande bellezza" (2013), which offers a contemporary reflection on Italian culture and society
[3:2].
These films not only provide entertainment but also offer a window into the rich tapestry of Italian history, culture, and societal changes over the decades. Whether you're learning the language or immersing yourself in the culture, these classic Italian films are essential viewing.
I really like the Italian curl tire and would like to learn the language and eventually move and work there after my studies. I want to watch some Italian movies to help me with the language but also to immerse myself into the culture. Thanks for your help!
Fantozzi. Good old style comedy but also will give you a good insight of some Italian dynamics
They may have become a bit dated right now; still classics but culturally far from what you'd actually see in Italy. Perhaps you can still make some sense of "Superfantozzi".
On the topic of work culture, I would suggest Checco Zalone's "Quo vado".
I'll write some of my favourites, if I remember other important ones I'll add them. Not all of them are totally in Italian, a few have foreign actors who're dubbed mixed with Italians.
La trilogia del dollaro no? Sergio Leone è comunque un regista italiano
A sto punto mettiamoci anche C'era una volta in America, che secondo me è uno dei film più belli mai concepiti
Sisi l'ho messa, Leone è must nel panorama italiano, uno dei più grandi maestri
Aggiungo anche La classe operaia va in paradiso (1971). Volonté sempre immenso.
I found Fantozzi to be indeed bitter comedy, but presented poorly. If it was a short series of 15-20 minute gags it would have been better presented and maybe even more understandable. But movie length Fantozzi, other than being depressing, also ends up being boring.
From the same director (and same trilogy), I think Marrakech Express (1989) is the best one
Oh FFS... That's Millennial's biased and completely unreasonable takeaway of what was and still is a scathing critique to the low-middle class and their attempts to elevate themselves further.
To quote the Simpsons themselves "a man who envies our family is a man who needs help".
And if you unironically think Fantozzi is living the life, you do need help and a lot of it. Also some sense of understanding dark comedy and satire as well.
Fantozzi wasn't, isn't and will never be a winner. Paolo Villaggio would laugh in your face at that notion!
Fantozzi's "stable job" is a soul-crushing exercise in futility, alongside lazy or brown-nosing colleagues, for merciless and morally reprehensible bosses (posing as Good Guys). His house is a mere place where he can be further humiliated by and humiliate his own family. A homely wife with no aspirations who "respects" him but doesn't love him. An ugly daughter who is a burden and will ultimately kick them out of their own house.
Enough money for affording the bare minimum and still feeling unfulfilled, chasing a hotter (still ugly AF) woman, a new career and a new life while failing every time and ending up in huge debt.
Seriously, I've never read a worse take on a movie.
If that's being a winner, I fear to find out who a loser is to you.
Fantozzi was a cautionary tale AND a prediction of the future. At least the current generation has started to realize that working til they drop down exhausted isn't the answer. But still they have all the misplaced ambitions Fantozzi had, they just don't feel like slogging to earn the money to pursue those dreams...
that is, indeed, truly a masterpiece.
everything in that movie is perfect. Acting, photography, music, story. It's just utmost perfection..
Ammetto la mia ignoranza siccome non l'ho mai visto nonostante sia nella watchlist da un secolo e mezzo, però ti do ragione sulla fiducia siccome ho sentito parlare solo bene di quest'opera.
I thought to start with La dolce vita (1960) but sounded too obvious, so chose Nuovo Cinema Paradiso (1990) instead.
Other movies in my personal list:
Roma cittá aperta (1945), the movie that kickstarted the Neorealismo movement
Bicycle thieves (1948), probably the best movie of the Neorealismo
Don Camillo (1952), an ironic snapshot of postwar cold war provincial Italy split between commies and Catholics
Ieri, oggi e domani (1963), a snapshot of Italy in the years of the economic boom with Sophia Loren at the height of her acting and beauty
The Leopard (1963), directed by Luchino Visconti, starring Claudia Cardinale, Burt Lancaster and Alain Delon. A period drama depicting the unification of Italy from the point of view of the dying noble class.
Il Sorpasso (1962), a classic italian style comedy starring Vittorio Gassman, Jean Louis Trintignant and Catherine Spaak. A depiction of Italy at the height of its economic boom.
Once upon a time in the West (1968), directed by Sergio Leone, starring Claudia Cardinale, Charles Bronson with soundtrack of Ennio Morricone. The best example of the socalled spaghetti western
A special day (1977), directed by Ettore Scola, starring Marcello Mastroianni and Sophia Loren, narrating the day of Hitler's visit to Rome from the point of view of two social outcasts.
My top 10 mostly left out comedies, but honourable mentions to the Bud Spencer and Terence Hill movie series, the Totó slapstick comedies and Fantozzi series, which aren't considered High Art but narrate the spirit of Italy sometimes better than the dramas.
Ngl, fonzies had some great movies. No La dolce vita or La vita è bella?
Probably the most iconic Finnish films are made by Aki Kaurismäki. The man without a past is still probably my favorite.
La vita è bella 100% Powerful movie, well produced
I included La Dolce vita in my top ten list. I just found it so well known it borders cliché, so the main film I nominated is a bit less known (though it won the oscar for best foreign film).
As for la vita é bella, I am conflicted. Sometimes I find it sappy. But I love the soundtrack.
How does the Finnish film industry work? Do you do films mostly by yourselves on account of the language or are there many collaborations with other Nordic countries film makers/actors?
Most films are made for domestic market. When Aki Kaurismäki makes a film, it usually gains some international recognition, but that’s about it.
Compartment No. 6 was probably the last film not made by Kaurismäki that had some minor international popularity.
The Match Factory Girl is my fav of his
It’s a good one. It takes like 25 minutes before any of the characters says anything. Classic.
It's shite being asked what is the most iconic movie from your country!
Looking forward the British (or Scottish, if there is a sufficient number of movies) list! What do you think about Trainspotting?
Christiane F is better, Under the Skin is a great scottish/british movie
I like Trainspotting but there’s another Irvine Welsh adaptation called Filth with James McAvoy that I liked better. Also set in Edinburgh.
Nosferatu
Its about a supermodel from east germany trying to make it in the west
For knowers of cinema, picrel
La Mostra del Cinema di Venezia del 2008 ha redatto con lo scopo di segnalare "100 pellicole che hanno cambiato la memoria collettiva del Paese tra il 1942 e il 1978". Il progetto è stato realizzato dalle Giornate degli Autori all'interno della Mostra del cinema di Venezia, con la collaborazione di Cinecittà Holding e il sostegno del Ministero dei Beni Culturali.
Qui la lista.
Secondo voi quali sono i film da salvare posteriori al 1978, ultimo anno della lista, e quali film sono meritevoli di entrare in quella lista, ma non presenti?
Personalmente direi Nuovo Cinema Paradiso, Mediterraneo, La Meglio Gioventú, Mio Fratello é figlio unico, La Grande Bellezza, Mine Vaganti e le Fate ignoranti.
Non nomino La vita é bella, perché mi pare che non stia superando il test del tempo e mi pare adesso un po' sdolcinato, ma se ne puó parlare.
Di quelli non ancora visti citati fin'ora:
Nuovo cinema paradiso
Novecento (La storia del pianista sull'oceano)
Mediterraneo
La grande bellezza (non amo Sorrentino ma come film ha avuto il suo impatto, per anni ho sentito citare spesso il monologo iniziale di Toni Servillo in mille situazioni diverse) oppure Il divo
Esterno notte o Sbatti il mostro in prima pagina di Bellocchio (il suo Pugni in tasca fa già parte della lista originale)
C'è ancora domani (almeno per l'impatto sociale che ha avuto)
La chimera o Lazzaro Felice di Alice Rorhwacher
L'ultimo imperatore di Bertolucci (di cui ha già Novecento e Il conformista nella lista originale)
Film più vecchi del '78 ma secondo me meritevoli della lista se la estendessero a 150:
Pasqualino Settebellezze (che rese Lina Wertmuller la prima regista donna candidata ad un oscar come miglior regista)
Io la conoscevo bene di Pierangeli
Todo modo e La classe operaia va in paradiso di Elio Petri (c'è comunque un altro suo film nella lista, Indagine su un cittadino al di sopra di ogni sospetto)
Brancaleone di Monicelli (che però ha già 5 film presenti nella lista originale)
Cristo si è fermato ad Eboli di Francesco Rosi (che in realtà è del 1979) oppure Il caso Mattei o Le mani sulla città
C’era una volta in america - Sergio Leone
Gomorra - Matteo Garrone
Di sorrentino fatico a scegliere ma Grande Bellezza e Conseguenze dell’Amore
Buongiorno Notte - Marco Bellocchio
Caro Diario / La stanza del figlio - Nanni Moretti
La meglio gioventu - Marco Tullio Giordana
Il Mestiere delle Armi - Ermanno Olmi
Viaggi Di Nozze - Carlo Verdone
Lo chiamavano Jeeg Robot - Carlo Mainetti
Poi ok non saranno pietre miliari ma per me Paz / Tutti Giu per terra / Radiofreccia sono super cult
Ecco il mio parere:
Benvenuti al sud è un remake di un film francese, giù al nord.
Non capisco come possa essere così apprezzato mente alla fine è una scopiazzatura.
Essendo molto apprezzato da una larghissima fetta di pubblico ho ritenuto di doverlo inserire.
Sarò scontato e banale ma, Tre uomini e una gamba (1997).
È un film generazionale che ha anche "influenzato" la cultura italiana: pensate a «il mio falegname con trentamila lire lo faceva meglio» che è diventato un modo di dire o a tutte le altre battute che quando vengono citate vengono colte quasi da tutti.
Altri film meritevoli sono quelli di Bud Spencer e Terence Hill.
Meglio Chiedimi se sono felice, alla fine tre uomini e una gamba sono solo una serie di sketch comici anche scorrelati tra loro. Importante solo perché ha fatto esplodere il trio
Se si parla di film che "hanno cambiato la memoria collettiva del paese", La Vita è bella ci sta assolutamente. Idem Non ci resta che piangere. Rimanendo in tema Troisi Pensavo fosse amore invece era un calesse ci sta anche lui tutto.
Nel 21esimo secolo, Il Divo e Gomorra hanno avuto il loro impatto sulla memoria collettiva. Penso anche che C'è ancora domani rispetta il requisito.
An openly gay, devoutly Catholic communist aristocrat whose films range from neorealism to painterly period drama, Luchino Visconti remains one of the most unique figures in film history.
In the 1962 BFI/Sight and Sound poll, participants voted La Terra Trema the 9^(th) greatest film of all time. Luchino Visconti’s films received 19 total votes, putting him in 11^(th) place for directors. In the 2022 poll, Visconti had zero films in the top 100 but a solid showing further down the chart: The Leopard in 107^(th) place, two more films in the top 500, a dozen films receiving at least one vote. Overall, his films received 81 votes, putting him in 59^(th) place for directors, just behind Jean Vigo (57^(th)) and Pier Paolo Pasolini (58^(th)) and just ahead of Alain Resnais, Hou Hsiao-Hsien and Terence Malick.
Martin Scorsese included The Leopard in his Criterion top ten, writing that
>Time itself is the protagonist of The Leopard: the cosmic scale of time, of centuries and epochs, on which the prince muses; Sicilian time, in which days and nights stretch to infinity; and aristocratic time, in which nothing is ever rushed and everything happens just as it should happen, as it has always happened. The landscapes, the extraordinary settings with their painstakingly selected objects and designs, the costumes, the ceremonies and rituals—it’s all at the service of deepening our sense of time and large-scale change, and the entire picture culminates in an hour-long sequence at a ball in which you can feel, through the eyes of the prince, an entire way of life (one that Visconti himself knew quite well) in the process of fading away.
While Visconti is probably best remembered for his 50s and 60s films, I've discovered his late work over the past few years and have found a lot to appreciate about it. I'm not sure that Ludwig (1973) is a great film, but it's really interesting film that supports metatextual, autobiographical readings: the story of an eccentric King spending his time and money on constructing elaborate fantasy worlds.
What are your thoughts on Visconti and his filmography? Is his place (59th all time) on the BFI list an accurate representation of his status as a major figure in film history?
I find Visconti very underrated. I love the lushness and sensuality of "Senso" (1954). Extraordinary color and costumes, and the location work in Rome and Venice ground the film and add realism. You can tell the man adored and directed opera - what I wouldn't give to see one of his productions with Callas!
Is the word underrated completely meaningless these days? Visconti was rightly celebrated both for this films and his theatre work. Rocco and his brothers and The Leopard are huge films, which got important awards.
It's true that Visconti was critically acclaimed 60 years ago. It's also true that he's not exactly a major topic of conversation among online cinephiles in 2025.
Yes.
He absolutely brought an operatic aesthetic to filmmaking.
The Leopard is definitely one of cinema’s great masterpieces. And it’s a movie only he could have made.
I’m a little mixed on his filmography overall beyond that - Rocco and his Brothers is quite good, I thought his adaptation of Death in Venice was effective and his sensibilities were a good fit for that particular story. I liked Senso but felt its lushness wasn’t quite enough to make up for what felt a little bit like a soap opera story and Ludwig didn’t quite work for me. Haven’t seen the others, though!
>openly gay, devoutly Catholic communist aristocrat
Interesting folks over there in Italy, with Pier Paolo Pasolini being a gay Marxist atheist who made one of the best films about Christ.
I think being a gay Marxist atheist are optimal credentials for making a meaningful film about Christ.
I have seen four of his films, and need to see a few more. I loved Rocco and his Brothers and The Damned. I like Death in Venice. Senso fell a bit short for me (although it is gorgeous to look at).
I’ve been wanting to see The Leopard for a while. One of the highest rated films I haven’t yet seen on various lists I’ve been working my way though
It's a great film.
Visconti, post-neorealism, has always been a strange brew for me. While I admire his "operatic" aesthetic, I think it doesn't translate well to the film medium. It can come off as maudlin melodrama on the screen. It permeates in his work from Senso up through Ludwig to varying degrees. It's as if he's being Sirk but without the "wink-wink." If that makes any sense. My favorite films from his 50s onward output are Rocco And His Brothers and Death In Venice because the mawkishness is held to a minimum.
That said I've found Senso and The Leopard to have really captivated me over successive viewings over the years.
I guess this is really a matter of interpretation. To me, what you see as "maudlin melodrama" has layers of irony and intentionally campy theatricality; as another commenter pointed out, there's arguably a kind of Brechtian distancing there.
Not true. If you look at the aggregated critics' + filmmakers' votes, it finished 107th overall.
In possibly the most important Italian film ever made (move over Fellini), this has all the makings of a classic. I am not Italian, Canadian, or fully gay, but I can definitely say that this movie helped me understand all of these perspectives so much more. It’s crazy that I’ve now seen two movies about Italian immigrants moving to Canada (the other being Little Italy, which, lucky for all of you, is also on Tubi), and they feel so similar. I was laughing so hard at the choices made throughout all of this. I sincerely think this is a comfort movie for me now—Little Italy is the same way. They’re both absolutely bonkers, but there’s a coziness and a joy there that I just like. Trailer below.
Lol, I remember this, it was marketed as the next " my big fat Greek wedding."
That's exactly what I thought it was going for when I saw the poster, and the fact that it was made in 2003. Americanized/New World kid in an Old World family just trying to make it through life (with lots of food references)
I strongly disagree about this being a bad movie.
This is not an Italian movie, It’s québécois.
there was a lot of controversy when it released because they filmed it in english. These are all french-native speaking people acting in english pretending to be Italian, it was a very odd choice.
Imagining this movie causing controversy is very funny to me
People were mad they used public funds to make an english movie, because the whole point of sodeq(governement subsidies program for film and culture) is to promote and foster french culture in Québec.
Mary Walsh, a Newfoundlander, pretending to be Italian is a choice.
Wow, this and Little Italy?
Killer double-feature
i makea da pizza
It’s pretty much this level of Italian
The advertising worked, I remembered it but never saw it.
These have been stuck in the DVD realm. All are by great Italian directors. They have releases in other territories but none that are English friendly. I almost bought some during this past sale but every time I say to myself, they have to be coming to blu-ray soon…
Sadly, there are many wonderful films which are stuck on DVD in the collection and I agree; these are some of them. Another Italian film I'd love on Blu-ray, is Ettore Scola's Brutti, sporchi e cattivi (Ugly, Dirty & Bad (or) Down & Dirty 1976. Oh, and Mediterraneo by Gabriele Salvatores, 1991. If I could choose between some few films getting 4K releases, and more be given Blu-ray's (hopefully from newly struck 4K restorations), I would so go with more Blu-ray's. Preferably we get both more 4K's and regular Blu-ray's, but come on; so many films dying a death on DVD only..
Le Notti Bianche is high on my upgrade wishlist. Sort of an un-Visconti Visconti film and I love it. It’s a crime to leave those snowy nighttime shots of Livorno stuck in DVD purgatory
“La Commare Secca” has been on my upgrade wishlist for more than a decade. That one cannot happen soon enough for me.
It's in the Fellini boxset.
Agreed, it's a great film
Seduced and Abandoned does have an Italian blu-ray that is English friendly, but it looks pretty bad, unfortunately.
Radiance should be releasing Le Notti Bianche from the new restoration soon. They've been teasing it for a while.
I truly hope and was thinking Radiance would pick them all up. They have been my go to the past year for Italian films. Radiance is my new Criterion
Love Radiance. Super deep cuts.
Divorce Italian Style is on the channel at least, should probably give it another watch
Im trying to be more diverse with the films Im watching and I realised that I dont really know that much of modern Italian cinema.
I suggest you Il Primo Re (2019), 5 è il numero perfetto (2019), Mediterraneo (1991), Il Divo (2008), Lo chiamavano Jeeg Robot (2015), La Mafia uccide solo d'estate (2013). Or Medici - Master of Florence, but its a tv series, like Gomorra and Suburra. Idk much about movies, probably there are some other italian masterpieces.
I havent watched Il Divo but I watched La grande belleza from Sorrentino. Thank you for your recommendations
Lazzaro Felice (2018) is pretty great, very atypical for italian movies I've watched otherwise, but still VERY italian, in the way it plays with religion. Visually really interesting too.
This is probably my favourite Italian film! Please suggest more!
Watched it on Netflix, great film. It detoured greatly from my expectations, story wise.
YES
hi! italian here. The Human Capital, Reality (2012), Mine Vaganti, Perfetti Sconosciuti and Smetto Quando Voglio are the essential films to understand modern day italy and how italians think and act. On My Skin, 20 Cigarettes, Il Divo, The Mafia Kills Only In The Summer and Gomorra are perfect films to get to know dramatic but historically fundamental stories for our country (ESPECIALLY on my skin, which is about a well-known case of police brutality happened here in italy; it was so shocking for us, we still talk about it to this day). Don't Be Bad, The Son's Room, Scialla! and Io e Te are the ideal to understand italy's youth. The Great Beauty, The Consequences Of Love, Dogman, Mia Madre, Io sono Lì all depicts very accurately different realities of Italy. p.s you can find a lot of these titles on netflix :)
Wow, thank you. Loved The great Beauty and Gomorra, havent seen the TV show tough. I'll watch them. Greatings from México
no problem, my pleasure! greetings from italy :)
+1
Gomorrah
So, so good.
Dogman (2018), Gomorrah (2008 - Film not TV show)
I have already asked this question of the French and the Poles, and they have given me great answers thus far.
I'm looking to expand my knowledge on cinema in general beyond the typical Hollywood fluff.
Quentin Tarantino is a fan of Italian cinema, and if he approves of it. It must be good.
I want to know your personal favorites, widely acknowledged masterpieces of Italian cinema, the obscure and expiremental. And everything else in between.
Any Era will do, I don't discriminate between old and new, black and white or color.
I want to know which movies have had the biggest impact on Italia, and which pictures were shaped by the changing Italian culture over the decades.
Grazi in advance.
If you watch Fantozzi after having watched any neorealistic movie from the 1950s/60s, you will see the cultural shift in Italian society. Fantozzi is the average man, like neorealism depicted average people. Other movies that show how Italian society is in a particular period are movies by Virzì (Ovosodo is a must, for example, although I love all of them)
Il Sorpasso, Un borghese piccolo piccolo, Ro.Go.Pa.G, La ragazza con la pistola, Sedotta e Abbandonata, Miseria e Nobiltà, La Ciociara, Amore e Rabbia, La Notte, Fantasma d'amore, Una giornata particolare, Miracolo a Milano, Rocco e i suoi fratelli, Roma città aperta, Germania anno zero, Umberto D., Ladri di biciclette, Pasqualino settebellezze, Bellissima, Le streghe, Capriccio all'italiana, Matrimonio all'Italiana, Divorzio all'italiana, Indagine su un cittadino al di sopra di ogni sospetto, La Strada, 8 e mezzo, I vitelloni, Amici miei, La dolce vita, Il giardino dei Finzi Contini, La grande guerra, Detenuto in attesa di giudizio, Il conte Max, Mio figlio professore...
Great list, adding a few:
Il generale della rovere
L'Avventura
Aprile
I soliti ignoti
Accattone
I compagni
Salo' o le 120 giornate di Sodoma
Il buono, il brutto e il cattivo
Profondo Rosso
Lo chiamavano Trinita'
I'd add Tutti a casa, Venga a prendere un caffè da noi, Il piatto piange, Amore mio aiutami, Mimì metallurgico, Nell'anno del Signore, Il marchese del Grillo, Roma,In nome del Papa Re, Amarcord, La grande bellezza, È stata la mano di Dio, Hammamet...
Marchese Del Grillo is diabolical. Every time it's broadcast, it doesn't matter if it has already begun, we have to watch it.
Loved Pasqualino settebellezze.
Out of all the suggestions, i second this very much. The first movies are masterpieces. Please watch in Italian.
Altrimenti ci arrabiamo is my favorite movie, its objectively not the best film ever but its so fun to watch
Fantozzi. The first 2/3 movies of the series are an absolute cult, heavily quoted by the Italians and even people like me who were born way after they first aired watched and loved them. It's a brilliant, incredibly fun and bitter parody of the average middle class worker in the 70s. Somehow, still relatable.
It's fantastic, but word of caution for anyone who doesn't speak Italian - the English subtitles are a travesty on Amazon Prime. It takes out a lot, simplifying too much of the language in the film and cutting out some culturally specific bits that make the dialogue less interesting.
Also by the same director “la classe operaia va in paradiso”
Since this recommendation strangely isn't among the highest, I just wanted to add that the first 2 or 3 films by Fantozzi aren't exactly great wonders of cinema but they are without a doubt the most cult films in the country, and they represent very well the Italian society of the 70' and 80', but for most of the things that happen in the movies even the one of 2023
Am văzut multe filme celebre vechi, cum ar fi: "Scarface" (1932), "Casablanca" (1942), "La dolce vita" (1960), "Some like it hot" (1959), "The Philadelphia story" (1940), "One flew over the cuckoo's nest" (1975), "The pirate" (1948) etc.
Mai nou, am început să caut filme pe Netflix și mi-au plăcut cele italienești: "Vai avanti tu che mi vien da Ridere" (1982), "Tenebre" (1982), "Poveri ma belli" (1957), "Belle ma povere" (1957), "Poveri milionari" (1958). Am revăzut recent "Roman holiday" (1953) pentru că mi-a apărut la recomandări și mă întreb de ce nu sunt adăugate mai multe clasice vechi...
A descoperit careva vreun film interesant, dar mai puțin cunoscut?
Doctor Jivago (1965) - cu Omar Sharif;
Ben Hur (1959);
Pe aripile vantului (1940) - Clark Gable, Vivien Leigh, au interpretat la superlativ.
Revad periodic Twelve angry men, cu Henry Fonda. Minunat!
Vezi si versiunea ruseasca, 12. E remake, dar mi se pare next level.
salut, o sa vin cu o lista cu toate filmele vechi pe care le tin minte :)) ce am vazut:
ce am planificat sa vad in viitorul apropiat:
Cred ca am vazut 90% dintre filmele din lista ta, asa ca imi permit sa iti recomand si The Night of the Hunter (1955). O capodopera :D
multumesc mult, il trec pe lista!
Recent, mai toate cu Audrey Hepburn.
It's a wonderful life 1946. Fantastic.
classic italian films
Key Considerations for Classic Italian Films
Neorealism Movement: Look for films from the Italian Neorealism movement (1940s-1950s), which focused on the everyday lives of ordinary people and often featured non-professional actors. Key films include:
Iconic Directors: Familiarize yourself with renowned directors such as:
Genres and Themes: Explore various genres, including drama, comedy, and historical epics. Common themes include love, family, social issues, and existentialism.
Cinematic Style: Pay attention to the unique visual style and storytelling techniques, such as long takes, deep focus, and symbolic imagery.
Cultural Impact: Consider how these films reflect Italian culture, history, and societal changes, particularly post-World War II.
Recommended Classic Italian Films:
These films not only showcase the artistry of Italian cinema but also offer profound insights into human experiences and societal issues. Enjoy your exploration!
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