Federico Fellini
Federico Fellini is often regarded as one of the most influential filmmakers in Italian cinema. Known for his distinctive style that blends fantasy and baroque images with earthiness, Fellini's films like 8 1/2 and Amarcord are celebrated for their surrealist elements [2:3]
[4:12]. His work is considered a departure from Italian Neo-Realism, moving towards more surreal storytelling
[2:4].
Sergio Leone
Sergio Leone is renowned for his contributions to the Spaghetti Western genre, with classics such as Once Upon a Time in America, which is noted for its critical view of gangster life [4:3]. Leone's films are characterized by their epic scope and innovative use of music and cinematography, making him a staple in discussions about top Italian directors
[4:5].
Luchino Visconti
Luchino Visconti is another key figure in Italian cinema, known for his luxurious and detailed productions. Films like Rocco and His Brothers showcase his ability to blend realism with theatricality [2:2]. Visconti's work often explores themes of class struggle and decadence, reflecting his aristocratic background
[1].
Vittorio De Sica
A pioneer of Italian Neo-Realism, Vittorio De Sica directed seminal works such as Bicycle Thieves and Umberto D. These films are lauded for their portrayal of post-war Italy and the struggles of ordinary people [2:4]. De Sica's influence on the genre is profound, and his films continue to be studied and appreciated for their emotional depth and social commentary
[1:2].
Dario Argento
Dario Argento is celebrated for his contributions to the horror and thriller genres, particularly within the Giallo subgenre. Films like Suspiria are noted for their vivid visual style and haunting scores [4:6]. Argento's work has a cult following, and he remains a significant figure in Italian genre filmmaking
[1:1].
Other Notable Directors
The Italian film landscape is rich with diverse talents. Mario Bava and Lucio Fulci are recognized for their impact on horror and thriller genres [2:8]
[4:1]. Contemporary directors like Matteo Garrone and Alice Rohrwacher continue to push boundaries with films that explore modern themes and narratives
[1]
[1:4]. The breadth of Italian cinema includes contributions from directors across various movements and styles, including commedia all’italiana, spaghetti western, and giallo
[3:2].
That is a good question, as am Italian and I would know what are the main name here.
Personally I'm a huge fan of Luchino Visconti and Sergio Leone (easy choices, I guess). I respect so much Federico Fellini, even if he's my favourite one, as well as Ettore Scola and Bernardo Bertolucci.
The contemporary director I respect the most is Matteo Garrone.
Vittorio De Sica is my favorite - Umberto D and Bicycle Thieves are amazing.
Right you are. I hate that I forgot him.
Tinto Brass.
Well, his version of Caligula could have been quite flamboyant. Instead Guccione fired him and pushed too on the pornographic side of the film.
"Wikipedia is fun!"
As far as contemporary directors go, Alice Rohrwacher is great. The Wonders is an incredible film, and while I didn't like Happy as Lazzaro as much it was pretty good too.
Mario Bava is one of my all time favourites.
Maybe not the very very best but I'd like to add to the list Dario Argento.
Well, he was a master of horrors and thrillers during the 70s, but it's sooo long that he hasn't realized a good movie.
Besides Passolini, Rosselini's, Fellini, and Antonioni, what are the best Italian directors?
I'm trying to get more into Italian Neo-Realism. I watched 8 1/2 and thought it was a bit underwhelming although I can appreciate why it's so important. I'm thinking about watching Amarcord next, seems a bit more my style from what I hear. But besides that I've only seen Rosselini's Rome, Open City and I liked it more than 8 1/2 and intend to watch more of his work. If you have any other Italian directors outside of Neo-Realism movement feel free to share as well.
EDIT: I have little knowledge about Italian Neo-Realism and from what I'm being told it seems the knowledge I do have is incorrect so please feel free to mention any Italian directors not just Neo-Realism.
I really like Luchino Visconti and I wish Criterion would do Rocco And His Brothers.
Maybe you didn’t like 8 1/2 because you thought it was neo-realism????
Stick with De Sica.
Lol is it not? not claiming to be an expert or anything it just seems to have the qualities I've heard people describe Neo-Realism films having.
Cool, I'll look into him.
A lot of mid century Italian art cinema gets lumped in with neo realism because it was such a high profile movement and many of the 50s-60s Italian auteurs cut their teeth in neo realism but there was actually a conscious move toward the surreal by Antonioni and Fellini as their careers wore on.
8 1/2 definitely isnt an Italian Neo-Realist film, it’s considered a surrealist film. If you want Italian Neo-realism, check out Bicycle Thieves, Rome Open City, Umberto D., or Ossessione. They’re drastically different styles of filmmaking
Dude the word realism is literally in the name. 8 1/2 has so much surrealism in it.
Dario Argento.
Also brief nod to Mario Bava and Sergio Martino for their contributions to Giallo
No love for Lucio Fulci? I know he is nowhere near as "classy" but I think his contributions are also very impressive.
Giallo
Ravioli declined after he and Formuoli split tho :/ sad.
get "the Sergio leone anthology" on blu ray, amazing movies
Massive oversight with the omissions of Lina Wertmüller, Francesco Rosi, Ettore Scola, Valerio Zurlini, Elio Petri, Mario Monicelli, Dino Risi, Luigi Comencini, Lattuada, Corbucci, Fulci, Martino, Sollima, Damiani and many more. You’ve overlooked commedia all’italiana, spaghetti western, and giallo for the most part
Where is Fulci?
Pasolini chads where u at??
How is Lina Wertmüller not on the list???
Rosselini and Fellini are the best directors but Passolini will always be my bae.
I wonder what the consensus is on the best filmmakers in Italian Cinema. I have a feeling Fellini will take the cake but I’m curious how the others will do.
I know this is the Criterion sub, but what about Argento, Fulci, and Leone? I know they're genre filmmakers, but goddamn all three are great...
Leone for sure should be on there. Once Upon a Time in America is one of the best gangster films ever made. There is a case for it being the best. The way it paints the gangsters as malicious, cruel, misogynistic, and generally unsympathetic is not common in gangster films. It is almost an anti-gangster film. While films like Godfather, Goodfellas, Casino, etc. have a glorified view of the gangster lifestyle Once Upon a Time in America is a scathing indictment of the criminal life.
So yes, Leone definitely deserves to be on the list.
See I know it’s a common interpretation that Goodfellas, Casino and The Godfather glorify the gangster lifestyle, but I just don’t see it. Goodfellas and the Godfather in particular have a deeply immersive appreciation for the cultural elements, of “the family”, but all that flips on a dime into deeply disturbing moments of violence and cruelty. Casino and Goodfellas in particular focus so strongly on the draw to the lifestyle, the ease, the splashiness and gratuity of the entire way of life, pulling the audience in, taking advantage of their fantasies and inner greed. I love Once Upon a Time in America, but I think Scorsese is the crime film king.
Can you explain Argento to me? I tried Suspiria twice. Is it like one of those so bad it's good things? Like what am I missing? The colors and score are cool.
I would start with the earlier giallo stuff like The Bird With the Crystal Plumage and Cat 'O Nine Tails, if you like those watch Deep Red and Tenebrae. His supernatural stuff is way more out there, but I absolutely love it.
Agreed. It's definitely fun with a sexy and titillating setting/premise, beautiful cinematography, a neat score, and some incredibly striking visuals, but once it gets into the second half, becomes contrived and ridiculous -- and it especially rips off Rosemary's Baby, which is a far superior film. Definitely worth a watch, but please don't mistake it for a "good movie".
And Bava and Corbucci.
Personally I think Fulci and Bava are very underrated. Bava is like top 3 Italian directors for me with Rosselini and Passolini. Fulci is also incredible, don't know if I've ever seen a director with such a dark and twisted outlook on life.
Sergio Leone for me
It's spelled "Visconti."
Darrio Argento
Christopher Moltisanti’s Cleaver beats out Bicycle Thieves any day of the week
Clever aint even in the top 300 sight and sound
Bruno saying in Il Sorpasso that L'Eclisse put him to sleep had instantly made Risi one of my favorites.
No mention of Tinto Brass?
Wtf is this awful website?
Am I the only one who misread as "The 20+ best Italian DICTATORS"
the best directors of all time
Steven Spielberg
Christopher Nolan
Denis villeneuve
Quentin Tarantino
Martin Scorsese
Ridley Scott
Stanley Kubrick
Paul Thomas Anderson
James Cameron
David Fincher
David Lynch
John Hughes
Robert Altman
Clint Eastwood
Tim Burton
Richard Linklater
Terrence Malick
Steven Soderbergh
Robert Zemeckis
Francis Ford Coppola
Peter Jackson
Wes Anderson
Sydney Lumet
Roman Polanski
Woody Allen
Other greats but not the best of all time
Akira Kurosawa
Kiyoshi Kurosawa
Wong Kar-wai
Alejandro González iñárritu
Spike Lee
Bong Joon Ho
Park Chan Wook
Steve McQueen
Alfonso cuarón
John Singleton
Directors who are really good but there’s one thing about them that keeps them from being listed with the best
Kathryn Bigelow
Greta Gerwig
Chloe Zhao
Celine Song
Jane Campion
Agnes Varda
Patty Jenkins
Sofia Coppola
Claire Denis
Amy Heckerling
Ava DuVernay
Nancy Meyers
Céline Sciamma
Nora Ephron
Andrea Arnold
Charlotte wells
Weird, I don’t see Lars Von Trier on here
Couldn’t put him on because of all the sexual misconduct allegations.
Edit: and this is funny because Polanski and Woody Allen are on the list I mean Jesus Christ people are we fucking jerking or not!??!
we need an “Am I The Circle Jerker?” sub!
The real 🐐 is Brian De Palma
I don’t support cocaine.
Where is jerk I couldnt see lol isnt it a great list?
This gotta be the most racist and misogynist list ive ever seen
Did he stutter?
Oh I see now!
lmaooo
I thought to start with La dolce vita (1960) but sounded too obvious, so chose Nuovo Cinema Paradiso (1990) instead.
Other movies in my personal list:
Roma cittá aperta (1945), the movie that kickstarted the Neorealismo movement
Bicycle thieves (1948), probably the best movie of the Neorealismo
Don Camillo (1952), an ironic snapshot of postwar cold war provincial Italy split between commies and Catholics
Ieri, oggi e domani (1963), a snapshot of Italy in the years of the economic boom with Sophia Loren at the height of her acting and beauty
The Leopard (1963), directed by Luchino Visconti, starring Claudia Cardinale, Burt Lancaster and Alain Delon. A period drama depicting the unification of Italy from the point of view of the dying noble class.
Il Sorpasso (1962), a classic italian style comedy starring Vittorio Gassman, Jean Louis Trintignant and Catherine Spaak. A depiction of Italy at the height of its economic boom.
Once upon a time in the West (1968), directed by Sergio Leone, starring Claudia Cardinale, Charles Bronson with soundtrack of Ennio Morricone. The best example of the socalled spaghetti western
A special day (1977), directed by Ettore Scola, starring Marcello Mastroianni and Sophia Loren, narrating the day of Hitler's visit to Rome from the point of view of two social outcasts.
My top 10 mostly left out comedies, but honourable mentions to the Bud Spencer and Terence Hill movie series, the Totó slapstick comedies and Fantozzi series, which aren't considered High Art but narrate the spirit of Italy sometimes better than the dramas.
Ngl, fonzies had some great movies. No La dolce vita or La vita è bella?
Probably the most iconic Finnish films are made by Aki Kaurismäki. The man without a past is still probably my favorite.
La vita è bella 100% Powerful movie, well produced
I included La Dolce vita in my top ten list. I just found it so well known it borders cliché, so the main film I nominated is a bit less known (though it won the oscar for best foreign film).
As for la vita é bella, I am conflicted. Sometimes I find it sappy. But I love the soundtrack.
How does the Finnish film industry work? Do you do films mostly by yourselves on account of the language or are there many collaborations with other Nordic countries film makers/actors?
Most films are made for domestic market. When Aki Kaurismäki makes a film, it usually gains some international recognition, but that’s about it.
Compartment No. 6 was probably the last film not made by Kaurismäki that had some minor international popularity.
The Match Factory Girl is my fav of his
It's shite being asked what is the most iconic movie from your country!
Looking forward the British (or Scottish, if there is a sufficient number of movies) list! What do you think about Trainspotting?
Christiane F is better, Under the Skin is a great scottish/british movie
I like Trainspotting but there’s another Irvine Welsh adaptation called Filth with James McAvoy that I liked better. Also set in Edinburgh.
Nosferatu
Its about a supermodel from east germany trying to make it in the west
For knowers of cinema, picrel
One of my favorites from him among Smultronstället.
An openly gay, devoutly Catholic communist aristocrat whose films range from neorealism to painterly period drama, Luchino Visconti remains one of the most unique figures in film history.
In the 1962 BFI/Sight and Sound poll, participants voted La Terra Trema the 9^(th) greatest film of all time. Luchino Visconti’s films received 19 total votes, putting him in 11^(th) place for directors. In the 2022 poll, Visconti had zero films in the top 100 but a solid showing further down the chart: The Leopard in 107^(th) place, two more films in the top 500, a dozen films receiving at least one vote. Overall, his films received 81 votes, putting him in 59^(th) place for directors, just behind Jean Vigo (57^(th)) and Pier Paolo Pasolini (58^(th)) and just ahead of Alain Resnais, Hou Hsiao-Hsien and Terence Malick.
Martin Scorsese included The Leopard in his Criterion top ten, writing that
>Time itself is the protagonist of The Leopard: the cosmic scale of time, of centuries and epochs, on which the prince muses; Sicilian time, in which days and nights stretch to infinity; and aristocratic time, in which nothing is ever rushed and everything happens just as it should happen, as it has always happened. The landscapes, the extraordinary settings with their painstakingly selected objects and designs, the costumes, the ceremonies and rituals—it’s all at the service of deepening our sense of time and large-scale change, and the entire picture culminates in an hour-long sequence at a ball in which you can feel, through the eyes of the prince, an entire way of life (one that Visconti himself knew quite well) in the process of fading away.
While Visconti is probably best remembered for his 50s and 60s films, I've discovered his late work over the past few years and have found a lot to appreciate about it. I'm not sure that Ludwig (1973) is a great film, but it's really interesting film that supports metatextual, autobiographical readings: the story of an eccentric King spending his time and money on constructing elaborate fantasy worlds.
What are your thoughts on Visconti and his filmography? Is his place (59th all time) on the BFI list an accurate representation of his status as a major figure in film history?
The Leopard is definitely one of cinema’s great masterpieces. And it’s a movie only he could have made.
I’m a little mixed on his filmography overall beyond that - Rocco and his Brothers is quite good, I thought his adaptation of Death in Venice was effective and his sensibilities were a good fit for that particular story. I liked Senso but felt its lushness wasn’t quite enough to make up for what felt a little bit like a soap opera story and Ludwig didn’t quite work for me. Haven’t seen the others, though!
I find Visconti very underrated. I love the lushness and sensuality of "Senso" (1954). Extraordinary color and costumes, and the location work in Rome and Venice ground the film and add realism. You can tell the man adored and directed opera - what I wouldn't give to see one of his productions with Callas!
Is the word underrated completely meaningless these days? Visconti was rightly celebrated both for this films and his theatre work. Rocco and his brothers and The Leopard are huge films, which got important awards.
It's true that Visconti was critically acclaimed 60 years ago. It's also true that he's not exactly a major topic of conversation among online cinephiles in 2025.
Yes.
He absolutely brought an operatic aesthetic to filmmaking.
Visconti, post-neorealism, has always been a strange brew for me. While I admire his "operatic" aesthetic, I think it doesn't translate well to the film medium. It can come off as maudlin melodrama on the screen. It permeates in his work from Senso up through Ludwig to varying degrees. It's as if he's being Sirk but without the "wink-wink." If that makes any sense. My favorite films from his 50s onward output are Rocco And His Brothers and Death In Venice because the mawkishness is held to a minimum.
That said I've found Senso and The Leopard to have really captivated me over successive viewings over the years.
I guess this is really a matter of interpretation. To me, what you see as "maudlin melodrama" has layers of irony and intentionally campy theatricality; as another commenter pointed out, there's arguably a kind of Brechtian distancing there.
I have seen four of his films, and need to see a few more. I loved Rocco and his Brothers and The Damned. I like Death in Venice. Senso fell a bit short for me (although it is gorgeous to look at).
I’ve been wanting to see The Leopard for a while. One of the highest rated films I haven’t yet seen on various lists I’ve been working my way though
>openly gay, devoutly Catholic communist aristocrat
Interesting folks over there in Italy, with Pier Paolo Pasolini being a gay Marxist atheist who made one of the best films about Christ.
I think being a gay Marxist atheist are optimal credentials for making a meaningful film about Christ.
William Wyler, director of Ben-Hur, famously said that it took a Jew to make a good movie about Jesus.
Not true. If you look at the aggregated critics' + filmmakers' votes, it finished 107th overall.
Red Desert (1964)
L’avventura (1960)
La Notte (1961)
Tenebre (1982)
Stage Fright (1987)
I think Antonioni might be my favorite director
He’s a master, that’s for sure. Have you seen Il Grido? That’s one of my favorites of his.
No I actually haven’t. I just recently bought a dvd of Story of a Love Affair so hopefully I get to that one and Il Grido sooner rather than later
seen il grido in an art haus decades ago, & saw the dvd nearly 20 yrs ago. & it is one of his best, & of course oop. (my favorites are il grido, l'eclisse, la notte, the passenger, identification of a woman, & l' aventurra. red desert & blowup are uneven, but still worth repeated viewings. & i'e actually enjoyed all of his movies, esp. that weird cocteau-based short. w/ monica vitti. his 1950s melodramas abt the ladies who lunch are definitely worth seeing, as are his documentaries, some of which are hard to find...esp. his documentary abt mao's china.)
i saw zabriskie point again abt 6 yrs ago in vilnius, dubbed into french, with lithuanian subtitles. (i went to high school near the hawthorne airport, where many of the movie's opening scenes were shot. & we borrowed binoculars & went & watched them shooting. they also shot several scenes along imperial blvd.
liquor stores, churches, liquor stores, to quote zappa.
I love L’Eclisse most of all. I find Red Desert almost unwatchable, except for the beach sequence which is haunting.
I think mine are:
A Visconti fan, and a Russian literature lover? Great taste in art!
Rocco for the win over The Leopard!
Il Posto is a special movie. Reminds me to watch again.
It really is, along with I Fidanzati.
Umberto D.
L’Avventura
8 1/2
The Gospel According to St. Matthew
The Good, The Bad and The Ugly
Rocco and His Brothers (1960)
La Strada (1954)
Cinema Paradiso (1988)
Rome, Open City (1945)
Senso (1954)
In my opinion, it ’s Ermanno Olmi’s most confident film. It’s more concerned with atmosphere and character than plot. The premise involves a husband and wife sending their child off to school to be formally educated, thus sacrificing his help on the farm, but this storyline is relatively minor. Mostly, you just feel like you’re catching a glimpse of late-nineteenth-century Italy, the intricacies of peasant farming in a poor village. Every shot is like a painting. The film has moments of absolute beauty.
Are these adjusted for inflation?
Dollars aside, I like when these stats are converted to ticket sales. I think it's a more interesting conversation.
Cameron close to Spielberg with less than half the films is weird.
Because Cameron released 3 juggernaut films that each did more than double the business than Spielberg's best film. I think Avatar 1, 2 and Titanic alone are responsible for nearly $7b of Cameron's total.
Growing up with Tim Burton's weird indie like movies, I would not have guessed him to be on this list.
Honestly, I didn't even know who David Yates was, and didn't even recognize the name. It's the thumbnails that giveaway that he was in with the Harry Potter films, but I never made it that far into that series.
Everything else was pretty much expected.
Russos will eventually take the top spot when Secret Wars finishes its run.
So Anthony Russo directed a movie sans bro that grossed zippo?
Shame that directors like Villenueve, Eggers, Chazelle, Mangold, and the Coen Brothers are not on this list. Their films deserved to be seen by everyone.
top italian directors
Key Considerations for Italian Directors
Influence on Cinema: Many Italian directors have significantly shaped the film industry, particularly in genres like neorealism, horror, and art films.
Awards and Recognition: Look for directors who have received prestigious awards, such as the Academy Awards, Cannes Film Festival accolades, or Golden Globes.
Diverse Styles: Italian cinema is known for its variety, from classic to contemporary styles, so consider directors across different eras and genres.
Top Italian Directors to Consider
Federico Fellini: Renowned for films like La Dolce Vita and 8½, Fellini's work is characterized by imaginative storytelling and surrealism.
Michelangelo Antonioni: Known for L'Avventura and The Passenger, Antonioni's films often explore existential themes and human relationships.
Sergio Leone: A pioneer of the Spaghetti Western genre, Leone is famous for The Good, the Bad and the Ugly and Once Upon a Time in the West.
Bernardo Bertolucci: His film The Last Emperor won nine Academy Awards, showcasing his ability to blend historical narratives with personal stories.
Paolo Sorrentino: A contemporary director known for The Great Beauty and Youth, Sorrentino's work often features lush visuals and complex characters.
Dario Argento: A master of horror, Argento is known for his influential giallo films, including Suspiria and Deep Red.
Recommendation: If you're exploring Italian cinema, start with Fellini and Antonioni for classic art films, then delve into Leone for a taste of Westerns, and finish with Sorrentino for modern storytelling. Each director offers a unique perspective on Italian culture and cinematic artistry.
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