Origins and Evolution
K-pop fanchants have become an integral part of the concert experience, serving as a way for fans to actively participate in performances. The concept of fanchants is deeply rooted in the idol culture that K-pop borrowed from Japan, where fan engagement has always been a significant aspect of live performances [5:4]. Over time, these chants have evolved into a structured form of support, often synchronized with specific parts of songs to enhance the overall experience.
Cultural Significance
Fanchants are more than just a form of audience participation; they represent the strong sense of community among K-pop fans. Much like sports fans, K-pop enthusiasts display loyalty and passion for their favorite groups, using fanchants as a way to express their support [2:1]
[2:3]. This communal activity helps reinforce the bond between fans and idols, creating a shared experience that is both emotional and entertaining.
Language and Adaptation
The adaptation of fanchants to fit linguistic nuances is also noteworthy. For example, the pronunciation of group names in Korean can affect how fanchants are structured. The name "NMIXX" is pronounced as "en-mik-seu" in Korean, which explains why fans chant it with an additional vowel sound at the end [4:1]
[4:3]. This adaptation ensures that the chants are linguistically correct while maintaining the rhythm and flow required during performances.
Iconic Fanchants
Certain fanchants have gained iconic status due to their catchy nature or emotional impact. Songs like TVXQ's "Mirotic" and EXO's "Growl" have memorable fanchants that fans continue to cherish [1:3]
[1:6]. These chants not only complement the music but also create a unique atmosphere during live shows, making them an essential part of the K-pop concert experience.
Comparison with Other Cultures
While K-pop fanchants are distinctive, similar practices exist in other musical cultures, such as J-pop. Both industries have developed ways to engage fans through interactive elements like lightsticks and album goodies [5:2]
[5:6]. However, K-pop has managed to globalize these practices, reaching audiences far beyond South Korea and establishing itself as a cultural phenomenon.
I recently watched Mamamoo's starry night stage and i loved the fanchants lol it's just so simple yet it matches the song's instrumentals! I also loved 1llela fanchants and i like Gfriend's crossroad fanchants too!!
What are your favourite k-pop fanchants!?
In Donāt Wanna Cry by Seventeen, carats sing:
sa! rang! hae! / i! love! you!
before Vernon begins with:
āsaranghaeseo.. / because I love you..ā
I had chills the first time I heard it. The rest of the line makes it even more poignant:
ābecause I love you, because saying I love you isnāt enough..ā
TVXQ - Mirotic
Ko Ko Bop - EXO
BTOB - Missing You
Melodys have to harmonise with the members and there's a part where Mellos have to sing the chorus with claps and it sounds very cool live. People are pleasantly surprised when they hear it for the first time.
tvxq mirotic
apink eung eung
exo monster
exo growl
Omg I love growl's fanchants too
Mirotic's chanting is iconic. I have never read the lyrics and can still follow the chant.
Jungkooks Euphoria simply because I think it's hilarious
It is so hilarious but also so cute šš
Whoever the army who came up with the idea to turn that meme into a fanchant is, they have a galaxy brain!
Getting his reaction to it was the cherry on the top!
Think about it. People tend to be loyal to their 'team' (in this case group) they have shows where they compete against each other. Different fandoms have revelries with one another that varie in scope from fun banter to concern that they may actually attack one another. Sometimes we all gather in big stadiums and scream while some people run around being more athletic than we are. We have a ton of merch. I could go on but you get the idea. Did I miss anything?
completely agree with youšÆ i once heard mera (a kpop YouTuber) say ākpop fans are just sports fans with glitterā, and it has never left my mind since
The way k-pop stans act definitely remind me of sports fans, particularly the intense tribalism and the way some people make being a fan of a team their entire personality.
Reminds me of a tweet that said a lot of music fans would be happier if they were sports fans because "If your favorite part of being a fan of an artist is arguing about charts and who holds more records, it's because your heart longs for ESPN" lol
we need an ekpn for kpop lmao, just delusional takes, universally despised talking heads, and clear favorites
We need Football Manager but with kpop idols lmao
I was going to say - isnāt this post essentially that tweet?
I hadn't seen that tweet as I have yet to make my way over to kpop Twitter. Sorry if I stole someone's point my bad
Wholeheartedly agree, from a football fan and Kpop fan perspective, both are supportive, passionate and a little crazy.
Both love pushing certain agendas (X is the goat but the team hasn't utilized them well, we're the underdogs, etc). Some fans are stat-driven nerds (Group A/ Team B are the first ... to ... in the 21st century); some love to criticize the front office/ company's every decision.
Imo sport fans and Kpop fans need to sit down and traumabond together, maybe that will help us chill out a bit.
Definitely agree. Eg. Member/Player X (Rora or Liz) isn't being properly utilized by the manager/management so we're going to hate on the "IT player/girl" (Ahyeon or Wonyoung) to pressure their company/agency!
But in Kpop it's probably worse than sports since most of not all of Cristiano Ronaldo's fans want to see him being in a relationship and happy - the polar opposite is often true of Kpop stans!!!
As someone who grew up in a hockey household it's hard not to see it. I grew up putting up posters of my favorite goalie on my wall and collecting cards that they gave out at the games. Not that much has changed
Chanelle moon could play for Argentina but Messi couldnāt sing Gravity
this gave me a good chuckle XD
my small collection iāve acquired over 10 years of being a kpop fan. I didnāt buy an album for the first like 5 years because it was really hard to get them back then especially where i lived. A lot of these i got second hand. I love that there are so many stores now that sell albums! would love to add girls generation and f(x) to my collection next!
Loona, Red Velvet, & 2NE1 šš¼šš¼
Loona ā¤ļøx12
Great variety!
The 2NE1 albums š
Soo, when listening to fan chants, and I've seen the members do it themselves as well, they often don't shout "NMIXX," they add another vowel sound at the end. "NMIXX-E" or similar. What's behind that?
The Korean name for NMIXX is ģėÆ¹ģ¤ which is pronounced as en-mik-seu. Youāre likely hearing that final -eu sound when they chant their name.
right and in Korean, ending a syllable with a x or s sound just doesn't happen. it's also why TWICE is pronounced "Teu Wa-i Seu" in chants
AH, thanks!
Itās to do with how Korean works. Broadly speaking, Korean words are comprised of syllables, that are themselves comprised of a starting consonant, a vowel, and an ending consonant. Either consonant can be omitted or silent, but every syllable must have a vowel.
NMIXX is spelt ģ믹ģ¤. First syllable is ģ, which is comprised of ć (which, when used at the beginning of a syllable, is silent), ć (which is often romanised as āaeā but makes a short āehā sound, as in āpenā) and ć“(which is simply n). Together it is āaenā The next syllable 믹 has the same structure. ć =m ć £=i, and ć±=k. But this syllable has now used up its starting consonant, vowel, and ending consonant, but so far we only have aenmik.
To emulate the āxā sound, we need an āsā, so we must start a new syllable: ģ¤. We have our ć =s, but every syllable must have a consonant, so a ć ” is used, which is romanised as āeuā and makes a sound that linguists call a schwa, which is kind of the neutral vowel. Itās the vowel that results when you relax all the muscles in your mouth that form articulation and vocalise. Itās the same sound as the first āaā in āarenaā in most English accents. At the end of that, we have aenmikseu This was probably an unnecessarily long explanation but hopefully you get it now.
Sort of, but not exactly. X in English isn't a sound. it's two sounds, k and s. The extra vowel at the end comes not from x, but from the format of Korean not allowing consonants to stand on their own. An English word can end with the s sound, but a Korean word must have a vowel after, and it becomes an entirely new syllable. ģėÆ¹ģ¤ sounds a bit more like enmikseu,
[prefacing this by saying i havenāt been as much of a fan of anything else as i have of kpop]
iāve been realising how different the kpop industry is from what other musicians in other countries / genres do and i feel like itās what maintains this strong sense of community for fans.
for one, and the most obvious, kpop albums arenāt just cds or records with a cover sleeve. i havenāt been able to explain to non-kpop fans why we all collect albums (when we donāt use the cd or meticulously display each album), but itās mostly due to the fact that we get all these cute bits and pieces like posters, photocards, a photobook and other related inclusions.
some may argue itās encouraging consumerism, others might say itās worth it if it makes us happy. iām just noticing itās different and connects kpop fans to what itās like to truly enjoy something (i canāt explain it, just the feeling of being excited about unboxing something and supporting your idols).
comeback promotions ā music shows, reality tv, fansigns/meet and greets, dance collaborations
[yes iām aware musicians in the u.s. and u.k. also promote their music through ads, billboards, interviews, etc.]
the concept of the weekly music award shows are so fun where fans get multiple recordings of performances with different outfits, stage concepts and ending fairy poses for a groupās new song/s. also the little dance collabs with other kpop artists after said performances is so wholesome and itās always exciting to see interactions between some of your favourite groups, especially those that you least expect.
getting to meet your idols, have your albums signed by them and having the opportunity to ask about the project is such a great way to engage your audience with your music but also give thanks and appreciate those who support you.
lightsticks
self explanatory, just adorable. itās like a sort of identification card also to bring your lightstick somewhere and let people know who you support.
fansites
good and bad. taking photos of a celebrity at events / in public is common however with kpop this has somehow become a career for people. while i think fansite behaviour can be a bit creepy and concerning, we do get extremely beautiful photos of kpop idols from it.
merch variations/types annual seasonās greetings packages, tour dvds, vending machine photocards, magazines.
if thereās anything else iāve missed feel free to drop it off here but essentially just an appreciation post for the kpop fan experience because i donāt know of any other feeling as of late that has been better than collecting kpop merch, staying up late for comebacks / music video releases, going crazy over photos or livestreams, panicking about concert tickets or fansign lottery processes
There's nothing unusual about this. J-pop has been doing the same thing for a long time, since the 80s.
I was just gonna say.
There are some things that have developed differently, for example the dance challenges promo was started with Zico who collaborated with a number of artists, but the video with Hwasa blew up. Now everyone does it.
Lightstick designs originated from Big Bang (G-Dragon), who designed the first custom lightstick. Japanese idols tend to stick with the classic ones with no frills. If they have any cool designs, itās probably inspired by K-Pop lightsicks.
Album goodies are done in Japanese idol culture too but they tend to keep it simple with a single photocard which is a bromide and not a piece of cardboard. K-Pop albums also have a lot more goodies like postcards and stickers included.
Fansites are also more of a K-Pop thing since Japan is super strict with copyright. We canāt get concert fancam for example.
Basically K-Pop culture had itās base on Japanese idol culture but have developed to be its own thing overtime. The two industries now influence each other.
My collection of Arashi pen lights from the 00s greatly disagrees with your statement about pen lights being no frills.
The generic pen lights are either for underground idols, are to be used as extras alongside official ones if they are allowed.
Major idol groups have had unique pen light designs, a different one each tour, for decades now.
I don't go into such details because I'm not interested in merch at all.
True
well itās great to know about the history however i prefaced my post saying iāve only ever been interested in kpop and this realm of fan culture!
would it be wrong to say kpop has more of a global reach than jpop does? and therefore thereās more discussion about how kpop culture compares to stanning english-speaking musical acts? i donāt think the way they promote is exclusive either, like i stated every country/industry has a way of promoting releases and it definitely changes over time as consumers become interested in different things. fan service in kpop (or in most asian media and pop culture if you will) is hospitable and personal and iām just appreciating this experience
You see, K-pop was literally created on the idea of idols and their training system borrowed from Japan, and hip-hop music and culture borrowed from the US.
Only the finances were Korean.
This is not a criticism, it is history.
They're talking about their experience.
You should actually show people the albums and memories of/dvds etc from kpop so people can actually understand. When I worked in advertising/graphic/branding design I brought in my Kpop albums/dvds and let me tell you these are people with decades of industry in graphic design and branding and they were really impressed, not just by the graphic design and typography, photography, but the quality of the packaging and all.
Other things birthday cafe events, photobooth events, organising mass concert viewing parties, official concert screenings (yes i know this happens outside of kpop) in cinemas is something i also enjoy. The swapping of the the photocards at cinema screenings is also part of the experience.
Also learning fanchants, getting slogans, swapping goodies/freebies at kpop concerts is also what I introduce to my friends who are new or casual to kpop if i'm going to a concert with them.
Hello fellow nostalgics, I was wondering if there were any older groups in the kpop scene whose histories require tracking down that you'd like a video about. I made a video on Roo'ra like a year ago and decided to start on that channel again since, honestly, retro kpop doesn't get enough love form the mainstream community. I'm thinking CNBlue and Buzz at the moment but any other ideas would be appreciated! I learnt korean and this is mostly just to move a lot of the knowledge from the korean side of the internet to ours.
U-kiss, Tvxq, Jewelry, Black Pearl, Black Beat, Csjh The Grace are a few that come to mind. Also what's your channel name? I am interested in your videos! Hopefully they aren't as sanitized as midnight theories videos.
Thanks for the suggestions! If you just search "History of Roora" on youtube it should be the only one. I am incredibly new to everything though so the videos aren't perfect.
Thank you! I'm looking forward to your videos!
I would like to see a History of Turbo video, or at least a history of Kim Jong Kook. From group success to solo success to variety success, that man has done it all.
Oh I can't believe I forgot about Turbo, I've been watching so much kim jong kook recently I ought to get on that as well. Thanks for the suggestion!
I would be kinda interested in hearing bout Cool. They went through a LOT. From breaking the 7 year curse and winning an Album Daesang in 2002, and being consistently active for almost 12 years, to losing Yoo Chaeyoung (she deserves a video on her won tbh), to their impact on the Gayo scene and Coed group scene.
Yeah, Cool is really long lived for a group that started that early. I think theyāre the only group from the pre-idol era that continuously released music into the middle of second gen.
I'm working with a podcast team and we have a few artist introduction episodes slated for 2023 :)
That's great! More love for retro kpop
She leaves out a lot of important details. She didn't mention Sowon's Nazi controversy despite making videos on GFriend, didn't mention Hongbin's departure in her VIXX video, among other things. I feel like they're made more the feel good vibes, which I don't like since a lot of people get into groups using history of videos, and it might encourage some delusional fans.
Someone else on my podcast team was messaging me about their interest in the group's history. We might work on an episode about them someday
Will add it to the list, thank you!
I love Seungkwan's cute 'Happy Burstday' š„°
Sometimes I feel bad they have to do so many things for us but then I love the content too.
Dino is so adorable the entire time š
Not them saying itās simple while the fanchantās practically half the song š¤£
This is simply a discussion and my opinion, Iām not saying any groups out today are inherently bad.
What I will say Iāve noticed as a fan that has been around awhile, is the longevity songs made during this era have.
Something about the concepts, the music, the lyrics, created instant songs/albums that Kpop fans would never think about missing out on.
Some of these songs are just staple songs that seems like every Kpop fan has to know or is brought into discussion at some point.
I also want to point out, there was no generational battles, if the song was good and pushed hard, people liked it. I mean look at SuJu and Hyuna! 3rd Gen started 2012 and 4th started 2018. Yet youāll hear a lot of ā4th gen was different at the beginningā which like duh but you donāt hear that much for 3rd gen because most people reference the middle years (2015) which is interesting to me.
Literally letās just list some of the songs that were released so you can see. (This got long)
Call Me Baby - EXO 2015
I - Taeyeon 2015
Just Right - GOT7 2015
Crazy - 4Minute 2015
Me Gustas Tu - GFriend 2015
I Need U - BTS 2015
BANG BANG BANG -Big Bang 2015
Hero - MonstaX 2015
Rhythm Ta - Ikon 2015
Lion Heart - Girls Generation 2015
Monster - EXO 2016
Peek A Boo - Red Velvet 2016
BoomBayah - BlackPink 2016
Blood, Sweat, & Tears - BTS 2016
Cheer Up - Twice 2016
Very Nice - Seventeen 2016
The 7th Sense - NCT U 2016 (literally the most gassed up debut)
Hard Carry - GOT7 2016
Spring Day - BTS 2017
Dont Wanna Cry - Seventeen 2017
Really Really - Winner 2017
Gashina - Sunmi 2017
Energetic - Wanna One 2017 (I wanted to hate them so bad š)
Move - Taemin 2017 (Ngl I actually might side eye you if youāre a big Kpop stan and donāt know this song lol)
You Were Beautiful - Day6 2017
Hola Hola - Kard 2017
Lip and Hip - Hyuna 2017
Dinosaur - AKMU 2017
Love Shot - EXO 2018
Bad Boy - Red Velvet 2018
Love Scenario - Ikon 2018
Bboom Bboom - Momoland 2018
Pop/Stars -K/DA 2018
Shine -Pentagon 2018
Latata - (G)-idle 2018
La Vie en Rose - IZ*ONE 2018
Ddux4(š) - BlackPink 2018
Lo Siento - SĆŗper Junior 2018
Baby Dont Stop - NCT U 2018
Gotta Go - Chung Ha
Black on Black - NCT 2018
Pirate King - ATEEZ 2018
I definitely missed some AOA, EXID, 2NE1, and Big Bang stuff. I also missed some solo stuff and hella solo artists like DEAN, Psy, Heize, etc. It was getting hella long and I was going off my head and added dates later lol I also didnāt add certain things cause I wasnāt sure if I was like biased š
Even if youāre newer, youāve definitely heard at least two of these songs once. And I can tell you even if youāre a BG or GG stan, in this era it didnāt matter because you were hearing these songs one way or the other.
I think between the songs having their own personalities and the fact people were being introduced hardcore into Kpop at this time, it created unique dynamics and lasting power.
Another thing, Kpop was seen as a whole thing back then. If a person said they liked Kpop expect most of them to be multistans or dabble with other groups.
Any other songs you can think of from this era?
Do you think these songs were impactful to kpop fans as well?
I've been a k-pop fan since 2018, and the songs I don't know are:
- Pop/Stars -K/DA
- Lo Siento - SĆŗper Junior
- Baby Dont Stop - NCT U
- Black on Black - NCT
With all of them in 2018 lol. I knew the rest, but I am a bit disappointed. But I guess since I'm completely clueless on most things NCT and SuJu, I'm not surprised.
In your defense though, 4th gen was starting and a lot of things were happening these years in kpop lol
So K/DA is an in game music group for League of Legends, two I-dle members (Miyeon and Soyeon) provided voices. LOL is huge in Korea so this was like a big thing. Itās also why you might hear about them when Aespa is mentioned in terms of āvirtual idolsā people like to argue semantics.
Ah yes the SM boy groups lol. SuJu has bops and NCT was dropping bangers.
Lo Siento from SuJu came at the perfect time when the whole Latin music industry was really starting to pop off big in western media and SuJu does really well with these themes for some reason lol. And the aesthetics of the video really just scream 2018. Like the style embodies the whole vibe that was happening in those years! I also see it as a time when groups were starting to get collabs outside of kpop a lot more tooā¦
If you like whispery type rap/vocals I would definitely listen to Baby Donāt Stop.
Black on Black is the like NCT yearly recap song they would do with all the members. The choreo was iconic so I definitely recommend watching the dance practice and performance.
SHINee, Taemin, and Jonghyun had some pretty stellar releases during this time. I mean, you have Odd, 1 of 1 (not the mention the repackages), all of Jjong's solo albums, and Taemin's first few albums.
YES they really did and I almost put lonely up here and I should have bc I heard it so much with edits and stories lol. But theyāve consistently stayed not just relevant but talented and creative. They balance their old sound with the new sound so well!
donāt know
hero - monstax
you were beautiful - day6
hola hola - kard
dinosaur - akmu
lo siento - super junior
pirate king - ateez
Ahhh, you should go watch and listen! Theyāre really great
Info if people donāt know: Pirate King is Ateez debut, akmu is a brother and sister duo they just had the song Love Lee which got popular, Day6 is more like a band, SuJu is 2nd Gen and Heechul from knowing bros is from that group, Kard is the only CoEd group in kpop atm, and Monsta X are with IVE and there last song was Beautiful Liar and Wonho (super ripped kpop idol) is an ex member.
I only dont know 5 song from that list
LMAO "ddux4"
Ha ha ha, I counted that as one of the ones I didn't know (I was only looking at the titles, not the group name), and I didn't even notice that was supposed to mean "Ddu-du Ddu-du". :D
AHAHA my bad, I like BP I just didnāt want to add all those dashes and repetitive letters lol
Is this only one song per act? You have two Wonder Girls songs there, not that I'm complaining lol but if it's not restricted to one song per artist, maybe also add Into The New World by SNSD, as it's like one of the most important songs in Kpop.
Thanks. I generally do one one track per artist unless there's a significant time period gap between two tracks and a bigger presence by that artist over the genre. But thanks I'll keep your recommendation in mind!
On that note, maybe also consider Fantastic Baby by BigBang and Electric Shock by f(x). Those songs I feel are amongst the most influential songs in Kpop.
So I am sharing my guide to the history of K-Pop trying to select the essential artists, releases, and a track that together compose a 3 disc chronological compilation. Hopefully it's useful as a starter but of course leads to people getting more in depth into it.
The list is here https://rateyourmusic.com/list/TheScientist/rym-ultimate-box-set-k-pop/
The YTube Playlist is here https://www.youtube.com/playlist?list=PLeavkvKck5lCdnH83dVsBduk95ZtVsvwp
The Spotify Playlist https://open.spotify.com/user/thefreewave/playlist/60l1Ab9JbcQcquQidyXVrQ?si=AsdEKSTFSTSWXsmo6Zp8Ug
Part of the rymboxset.com Project covering all genres and scenes.
Recommendations for any oversights or further corrections are always appreciated. But otherwise hope you enjoy. Thanks.
another question: and if i became a fan of groups who are like that, how should i handle those times where i really wish them to have a comeback/reunion?
edit: ngl idrk why iam stressing this out i mean i can just consider them as one of my faves no matter what
ik sounds like a silly problem but i really need your advices(?) and sharing your own experiences with being a fan of groups when theyre already disbanded or having long hiatuses per comeback
also i hope that what i said here is understandable enough. lmk if i said sumn confusing :āāā)))
iam asking this bc months ago i became interested towards SS501 which made me wanna get to know them more and prob even consider them as one of my faves
but the problem is that theyve been inactive for 12 years. their last cb was 2010 iirc. heck i was 12 years too late on the last year theyve been active.
now idk how to āhandleā them being like that which is holding me back from at least getting to know them more
edit: ngl idrk why iam even stressing this out i mean i can just consider them as one of my faves if i want to. hoping them to have an another cb or reunion though
My favourite group disbanded long before I was born (disbanded 1996, my birth 2004). And contrary to for example people that stan disbanded 2nd Gen groups none of their content is subbed, or accesible to international audience. So I created a subreddit for the group and shared everything I can find in Korean translanted into English there. I make colour-coded videos for their songs, since its extremly hard to find song lyric translations, or even lyrics in ķźø, even though they were an immensly popular group. I search for old variiety content of them and make compilation videos of it, so its easily accesible for international fans. I talk a lot about their music online, and try to help people who are intrested in the group find content they like. I think stanning a disbanded group has many upsided, you already know all their music and dont have to fear that their quality musical wise drops. Its also less stressful since their isnt really constant new content to check out. And their are less fandom arguments then with recent groups.
I also like SS501 and it's been since about 2011 so I just missed everything. They're how I got into kpop and it wasn't a big deal at the time. It became obvious of a problem for me though during military service time and I just changed up main groups. Honestly for a while it was hoping for a reunion, these days it's down to occasionally checking up with the members and their music.
It might be harder to find some of the old ss501 stuff but they were fun on variety shows. Their appearance on Intimate note is one of my favorites. They have some fun star golden bell appearances including seeing them naming porns. I'm not entirely sure where the fandom is now since I'm not an active triple s online after Hyun Joong's thing a while back. So my knowledge is on the dated end outside of ig updates š but if you want any ss501 guidance, feel free to ask! It's been a minute since I talked about them at all especially since it's rarer to find a triple s these days.
The music is always there so just remember that! š and youād be surprised at how many old videos, or interview clips or anything else you can find around the internet. Iāve been a fan of many disbanded groups for years and I find so much new stuff everyday.
Plus itās always rewarding to still support the members individually. A group may be gone or inactive but their legacy can live on as long as you allow it
Hi, I am a fan of tons of groups that are inactive and it does not bother me, because there usually is a lot to catch up on. If I want a comeback I try to watch solo content or find similar groups.
The added bonus of staning after disbanding is the lower levels of drama and full subs on everything (unless the groups is very niche).
I encourage you to explore groups and know that were are still many people who enjoy the groups.
Also 2nd gen renaissance is happening so you can see them comeback at mmtg! JaeJae is my hero <3
People over at r/kpopnostalgia would also have good advice, as the sub is dedicated to old groups, most of them are disbanded...
edit grammar
I am a native Korean infatuated with 1st/2nd K-pop music and a lot of the artists I like are no longer in the industry. Some of those groups managed to reunite temporarily, and one of them managed to release a few more singles with only two of the original members (the others were active in another country with their individual projects). One of my most favorite soloists has a completely different career and he has no intent to return to singing due to the reason he was forced to quit. I struggle to cope with the fact the said artists were unable to team up again, but all I can say is that I'm happy to see them happy and content with their current life, and I hopefully might get to see them as a singer/group again.
I did get to meet up with three of my favorite former singers (one soloist, the other two were from two different groups) and one of those men (I'll call him H here) is still dabbling in music. He opened a group chat to interact with his fans, and two other members of his group are also in it. I crashed H's workplace - he runs a store in Seoul - for a surprise visit this February, LOL. When I told him who I was, he showed me around his built-in studio and we talked about his group & his newest music release. H told me he had some ideas to hold a private fanmeet with the other members for their 20th anniversary, but COVID put a strain into his plan. He did meet up with & hold a livestream with his group's leader a month later, and although the leader is a timid man in person, he said he's willing to join the fanmeet if it comes into fruition.
History of kpop fanchants
Key Considerations in the History of K-Pop Fanchants
Origins: Fanchants began in the early 2000s as a way for fans to show support during live performances. They often include specific phrases or words that fans chant in unison, usually timed with the music.
Development: The practice gained popularity with groups like H.O.T and Sechs Kies, where fans would create chants that highlighted members' names or signature phrases. This helped foster a sense of community among fans.
Structure: Fanchants typically consist of a call-and-response format, where the group performs a line and fans respond with a specific chant. This structure enhances the live performance experience and engages the audience.
Evolution: As K-Pop evolved, so did fanchants. Modern groups often have more complex and synchronized chants, sometimes including dance moves. Fans also create fanchants for specific songs, which can vary by performance.
Cultural Impact: Fanchants have become a significant part of K-Pop culture, contributing to the overall fandom experience. They are often shared on social media and during fan meetings, reinforcing the bond between idols and fans.
Takeaway: Fanchants are a unique and integral part of K-Pop performances, reflecting the creativity and passion of fans. They enhance the concert experience and create a lively atmosphere, making them a cherished tradition in the K-Pop community. If you're attending a concert, learning the fanchants can greatly enhance your experience!
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