Visual Appeal and Talent
K-pop agencies often prioritize visuals and talent when recruiting trainees. Potential trainees are expected to have star quality, charisma, and the "it factor" that can make them stand out [1:1]. While having raw talent is important, being teachable is also a key consideration, as agencies can train individuals to enhance their skills
[1:2].
Scouting and Auditions
There are multiple pathways for joining a K-pop agency, including auditions and scouting. Scouting can occur in various settings such as schools, talent shows, or popular locations where casting agents actively seek out potential trainees based on their appearance [3:4]
[3:5]. Even after being scouted, candidates must typically pass an audition to become trainees
[3:1]. Online auditions have become more prevalent recently, allowing agencies to reach a wider pool of applicants globally
[3:5].
Agency Reputation and Opportunities
Despite some agencies having negative reputations, trainees may still choose to join them due to the sheer number of aspiring idols and limited opportunities available [4:1]
[4:3]. Certain agencies, like SM Entertainment, offer advantages such as guaranteed interactions with established idols, strong training programs, and deep networking connections that can help boost a trainee's career
[5:3]
[5:6].
Training and Development
Even if trainees do not debut with the agency they initially join, the training they receive can be valuable for their future endeavors [5:5]. SM Entertainment, for example, is known for its vocal training and has a track record of successful groups, which can attract trainees despite any negative aspects
[5:7]
[5:9].
Personal Aspirations and Influences
Some trainees choose agencies based on personal aspirations or admiration for existing artists within the company [5:1]. The legacy and success associated with certain agencies can be appealing, providing trainees with a sense of security regarding their potential popularity and career growth once they debut
[5:2]
[5:8].
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Usually something that catches the eye, either visual or something unique. The rest they can train into. They usually hold weekly/monthly evaluations and those who usually come out on top get to debut.
Thank you, would it like where the CEO says "we are looking for ___", or is it the staff's own opinions?
They will cast a wide net and let the evaluations cull the rest. CEO might have the veto power if they cared enough to go through the list/evaluations themselves but that isn't usually the case. You'd think, oh my CEO cares enough but that usually comes with a whole other list of headaches too. Shrugs.
yeah, you can watch YouTube’s series about this
Thank you!
Visuals and having talent or least be teachable will be at the forefront of what companies look for but I do think star-quality and having that it factor is super important. Nowadays the Kpop industry has grown tremendously since I started as a fan back in 2007. There are already tons of good looking and talented people so they need people that can really stand out and have that charm and charisma like Ive's Wonyoung as an example.
Fit is also super important factor since I'm assuming that these agencies have a general idea of the group they want to debut and look at their current pool of trainees (if they have them) or open auditions to see who can fit that concept they have.
Nationality wouldn't be a big factor for big companies as they can easily pay for the immigration fees/process but for smaller companies where budgets are tighter it would be more difficult. It can also be a plus as they can attract overseas fans. With Korea's birth rate declines and the projected population expected to decrease, I would guess Kpop agencies would be more open to foreigners in the future besides the localization projects that SM, Hybe, and JYP have done.
Thank you so much! It's just because I see a lot of talented (and ones who fit the KBS) people posting their auditions online, which most likely means they didn't get accepted, but don't lack at all in vocals, dance, rap.
No a problem! Glad I could be of help! It is a shame that some talented and great looking people don't make the cut as sometimes it's just luck.
Here's a great interview and accompanying video from the Korea Times about a K-pop casting agent, who casted Minji from Newjeans and a few other idols, on how he casted Minji and a bit more about the casting process. In Minji's case she was casted from a music academy she was attending and the casting agent was immediately impressed by her beauty noting she "had the face of a K-pop star". With how Newjeans is doing he was definitely right!
https://www.koreatimes.co.kr/www/art/2024/06/398_362674.html
I’m curious when trainees are looking for an agency to sign up, what things make agencies stand apart from each other? For example, what would make someone choose any of the big 3 over one another? I know JYP’s organic food is definitely really popular with their trainees.
I think the most important thing trainees are looking for is a chance to be accepted.
I'm sure they all start with auditions at "realistic" companies for them, not necessarily big three but companies with a few established groups, of course a lot of them do audition for really big companies because you never know. And then if they get rejected from all of the ones they had it mind it becomes "anything goes"
There are a lot of stories of trainees being rejected from 30+ companies and at that point no one is picky. I do admire people who keep going even after hardships like that, it really means that you want it no matter what. I couldn't do it personally
Mamamoo’s Solar apparently auditioned for over 40 companies and had given up, ready to become a flight attendant before she entered a singing competition to win a prize and was discovered by RBW.
How could anyone reject someone as talented and gorgeous as solar
I tend to think that they will all try to enter one of the Big 3. If they aren't successful they will look for less known labels and eventually gave up if they aren't accepted as a trainee.
Will they take me?
Anyone that will take them. Almost every idol has failed auditions, some dozens of times. Very few people get offers from 60 agencies like Girl's Day's Yura.
Fairly new kpop stan here, sorry for a weird question!
I recently saw a twitter on Stray Kids and how they joined JYP, and apparently Felix was scouted?? Even though I thought he'd auditioned in Australia.
Anyway all this got me wondering, what's the process of joining a company as a trainee? Obviously there's auditions, but some people apparently audition through dance schools and I'm not sure how that works? I know you can get scouted, but do you need an audition even after that? I know Seungmin from SKZ was 2nd at an open audition, but what happened to the 1st place trainee? Also do companies normally have a quota of trainees from diff sources? So they reserve spots for scouted/auditioned from schools trainees?
I dunno I'm just kinda confused about all the ways you can become a trainee and wondering how companies manage the literal masses of trainees they might get over the years by various sources. If anyone can give some insights please do help!
People like Félix who were recruited on the street, people from the agency do it with that mission: to find attractive boys. There are many idols who say they received proposals from other agencies, they refer to this type of recruitment. I remember that Jungkook of BTS was proposed by 7 agencies to be part of their trainees. One of the agencies that have publicly said that they do this is YG ent (in one of the episodes of their survival show, YG treasure box, they show how they recruit boys on the street). Even idols recommend that guys who want to be recruited go to crowded places on special dates: like Valentine's Day, Christmas or New Years. It is when more "hunters of beauty" there are. That if they see a girl who is looking for someone with her eyes, that they always try to make eye contact with her, it is most likely that she is looking for trainees hahaha
> I remember that Jungkook of BTS was proposed by 7 agencies to be part of their trainees.
He got calls from multiple companies because they saw him in the audition show "Kpop Star" though, nothing to do with street casting. He was just 13 then, he was a cute boy with a good voice so even if he was eliminated from the show, he still got love calls from a lot of big agencies who saw his potential.
**forget to say It is also normal that the company does not hire or even fire people it does not consider attractive.
Oh my... This is kind of making me sad.
Company send lots of people to school, talent show, popular location, they mostly ask for visual to audition for the company, skill can be trained. There are countless way for trainees to join companies, audition is just one of them
The most obvious way is to audition and there's a lot of companies that are opening auditions in a wider scale globally. Some of these companies hold auditions in different countries sometimes but recently online auditions are more typical (for obvious reasons).
Also, a lot of idols are actually scouted/street casted. 10/13 members of seventeen are street casted. And these companies scout talent in different ways. Seungkwan got scouted after his music teacher uploaded his singing video online. Some got scouted after performing in a talent show/school festivals. And some got scouted by chance, like ITZY ryujin who got street casted while attending a GOT7 fansign.
Those Pledis casting agents were something else back in the day. All of NU’EST was street cast, too, including main vocal Baekho.
Seriously, finding svt and nu'est members is really a blessing for pledis. Kudos to their casting team
>I know you can get scouted, but do you need an audition even after that?
Yes, and you're not guaranteed to pass the audition. Scouting is sort of like like an invitation to audition.
>I know Seungmin from SKZ was 2nd at an open audition, but what happened to the 1st place trainee?
That trainee sure joined the company, they just didn't debut. Not all trainees are guaranteed to debut after all.
>Also do companies normally have a quota of trainees from diff sources? So they reserve spots for scouted/auditioned from schools trainees?
It's not like companies have a specific limit on how many trainees they can have, of course each has own limits depending on their financial situation, but I don't think there's a specific quota. Trainees don't sign long and strict contracts, they come and leave all the time, it's the constant ebb and flow. I imagine that if company X can afford only 12 trainees, but they just scouted another trainee they really like, they will just kick out some other trainee that impresses them the least. It's a flexible system.
Personally I do not get the point honestly. If you look at the things that happened in some companies you will quickly notice that you do not want to be there. Artists getting forgotten, mistreated, abused etc. I wonder, why do trainees that are currently there still join such companies? If I were them, I would never audition for such companies or run asap. Hearing about certain companies doing terrifying things honestly gives me the chills
Do you know how many wannabe idol trainees there are in the greater Seoul Area? Thousands. They're happy if anyone takes them.
Because they are desperate to debut. There are at least 10000 aspiring trainees waiting to debut right now.
They have a desire to be an entertainer and are hopeful.
Why do college students go to colleges with bad reputations? Sometimes you just gotta take what you can get.
Some trainees have probably been rejected over 50 times by different companies, at some point in time, you’re just happy if anyone takes you.
So I was reading some information about RIIZE and it turns out Anton auditioned for SM even though many agencies wanted him. Does anyone know what SM offers that other companies don’t? We all know the stories about SM 👀 so that got me curious. I am an SM Stan, having grown up with SHINee and SNSD and now in love with Aespa and RIIZE. But I can’t imagine how someone can choose SM over HYBE or JYP if given the chance.
SM still has a reputation of how once you debut you basically have secured a certain level of popularity so any aspiring trainee would obviously consider applying. We can’t deny their legacy despite all the shady and negative things we read about the company and their artists.
I think you're bang on the money!
One thing SM can get you that other companies can't, are guaranteed interactions with SM idols.
They have strong teams and many smart people who're deep into kpop. There are major advantages that go beyond the initial popularity that comes with the SM brand.
Everyone having expectations (therefore trying out the music) because it's "known" to be hard to get into SM is also huge when you're starting out and for getting tv time at debut.
Also SM staff scouts many trainees relentlessly. They don't give up unless you have a good reason like if you're already a trainee elsewhere then maybe they will leave you alone. Newer groups don't really talk about how they got into SM but older groups have pretty much mentioned SM staff would stalk them and show up at their schools everyday to try to get them to atleast do some sort of audition. I'm sure they haven't stopped doing these types of things but now there are easier ways to contact trainees without showing up at their school.
1000000% and it’s clear they have connections outside of SM too that they leverage for their groups, like RIIZE getting a full group luxury sponsorship a month in? Or being able to perform a KCon in LA before even debuting? There’s a lot of privilege and deep networking you get simply by debuting in one of their groups!
SM still retains a lot of their old artists for 20 years which other companies dont. Despite their negative treatments it’s obvious they are still going well with TVXQ Suju and SNSD reaching 20years with them.
Another thing to add, SM artists are everywhere; so even the newly debuted can expect a lot of appearance in varieties and promotionals.
On the other hand, a lot of SM artists also foster this closely connected relationship, even after they left SM. LSM is greedy AF, but his insistence to 'force' the 'SM Family' trademark has proven to be a good thing.
Just as an example, Kyuhyun just recent cameback with his new agency (Antenna); and he decided to grab the rest of KRY for a song collab and Leeteuk as showcase MC. I have no doubt another SuJu member will work with him and Antenna for the another of his solo cb as well.
Even Jessica collabed with Amber for her newest release; and they both has left SM years ago.
SM has a track record for successful boy groups despite their shady upper management. Their number of successes dates back to before Anton was even born. They’re home to some of the most iconic boy groups of all time and it’s pretty well-known that SM has good vocal training as well. Each company has their pros and cons, I still see plenty of pros with SM even with everything going on.
StayC, kiss of life and stray kids have/ has main vocalist that were SM trainees. Even being a trainee there, the education you receive can help you in another company.
Yeah, someone else pointed out the numerous idols that are ex-SM trainees and there are a ton of them. LSFM’s Yunjin is from SM before she went to Pledis and Source. Pentagon’s Jinho is also ex-SM. Even training there gives you a huge leg up on other trainees. There’s a pedigree that comes with being at SM.
well as you can see by the pretty much instant success of RIIZE…why wouldn’t you choose SM? they might fumble the bag a lot and seemingly are always in a state of chaos lol but the general public seems to really care about their groups debut vs. other companies.
all kpop companies are shady, we just know more about sm.
Many aspiring idols also think of joining an agency that has groups/artists that they look up to or admire so that’s also part of the decision, so if someone likes NCT then they’d obviously apply for SM.
I am hoping people can list some good examples. I have heard that the trainee process is pretty brutal and that a lot of talented people can be held back for years and years and many never debut at all. But anyways I was hoping people could explain the trainee process and overall downsides or negatives to working in the kpop industry.
you have a very slim chance of succeeding or even making it as a mid tier group. that’s after spending a lot of time to train and forgoing education or turning to part time jobs to feed yourself. a lot of idols/trainees have talked about doing part time jobs.
when your time is up (as in when you’re too “old” to keep trying to make it), and you’re let go, you’re left with nothing to put on your resume to get a regular job. some may think they’re too old (around 24/25 and above) to enter uni, or they don’t have enough funds to, so they don’t. what’s left is more underpaid part time jobs, perhaps for life. and as we know, it’s difficult to make ends meet with part time jobs.
without a degree (especially one from the top 3 universities), it’s very difficult to get hired. so eventually, you’re really almost betting on your life to succeed even if there’s only like a 0.000001% chance of succeeding. it’s really all or nothing.
Yeah I watched a documentary about the younger generation of koreans having to work two jobs and sleeping less than 5hrs a night to keep up with the bills because the job market is brutal. You are gambling your whole life on your dream. If I was going to do that where I live, I could go back to school and get a degree anytime I want, or do music on the side.
i watched something like that too. it was this documentary.
it got me thinking about how tough it is to even get a job in korea because the definition of success is so narrow.
i honestly don’t think i’d even dare to dream if i can’t even get into at least a mid sized agency as a trainee. and even so, you’ve heard of groups not making it (that is, even if you’re in cube, starship, FNC, etc).
like what can i do when i only have “idol” and “trainee” on my resume but im not exceptionally good to be a dance/vocal trainer, and don’t have an education higher than a high school cert? i can only do odd jobs.
it’s also common for idols/trainees to drop out of high school even. and a lot of them admit that “i’m not very good at studying”. that’s a crazy huge risk imo. you have nothing to fall back on because your idol experience is quite worthless outside of the entertainment industry.
eta
Every industry has downsides, I can think of one downside specific to the Kpop industry which is the uncertainty of not knowing whether a group/solo artist will become successful long-term. Trainees have to also rely on luck to succeed in the industry.
For idols specifically, I can't imagine having to sign a typical 7 year contract. You're basically devoting your youth to a company, but I can see that the companies are investing a lot of money for their idols to bring in money to recoup their investment and gain profits.
Being an idol isn't for everyone.
You are basically chained to a company a lot of years working on your idol skills to drop a song that might flop and then get all the debt upon yourself because of bad luck or terrible management
So there are probably countless koreans who failed in the industry but we don’t even know they failed? Because it seems like we only hear about the people that make it, not the people that don’t make it.
Truth be told, history is only written by "winners" and as long we only see the big groups storys, we will never visualize that this is hard for smaller acts
Working under shitty companies. Some companies are absolutely horrible and some will take advantage of idols and their dreams. Some companies are very shady too. That’s why it’s always good to do background checks on any company if you plan on auditioning for one. Some companies are crueler than imaginable and some are brutally honest as well. There are some that’ll straight up tell some trainees that they won’t debut or that you’re not talented enough to debut…imagine working your ass off at an company and only for someone within your company to tell you that you’re not worthy of debuting. All of those years of training were all for nothing
Ive always wondered this. When people are auditioning for a company to become a trainee, or even as a trainee, when do they find out the style of music theyll do? I just wonder if, because of trainee debt, someone could find out the genre of music after years of training, and have no real choice but to do that style.
I mean, do trainees become commited to a final product without knowing what that final project will be?
I think generally trainees don't know until they are picked for the specific group, especially in big companies and because they usually train for few years so its hard to pinpoint what group they will create. But when they audition Im sure trainees have an idea what kind of music the company makes. When it comes to smaller companies its probably easier to narrow down what type of music a group might do.
There are a few ways groups are created.
One is they already have the right trainees and they will match the music to them so it works as not every trainee suits every style.
Another, concept is already created and the company already has the music and idea in mind and then they will look for trainees who will fit. (In that scenario trainees will know right away what to expect)
Or they just go with the flow, find trainees and give them whatever music they prefer.
But overall I believe trainees learn what music they'll do later in their training period not at the beginning.
As the title says, I'm wondering why do trainees choose to go to small companies rather than big ones? Especially ones that have bad management.
Lately, I've started liking OnlyOneOf who are from 8D Ent. Their songs are so good (it's very rare for me to like all of an artist's songs) and they're all very good at dancing and singing. Why is it that they chose to join 8D Ent which is a very small company? With the members' talents and looks, I find it hard to believe that they wouldn't get casted into bigger companies...
Bigger companies like the big 3 can virtually guarantee success and wealth if you debut with them. Since they know that, they can be extremely picky with the trainees they select. Out of hundreds who audition, only 1-2 may be selected.
Many applicants get turned away from major companies and try their luck with smaller companies because they are less picky even if its a lot more risk. Some succeed, far more do not.
IU is a prime example of this. IU was rejected by over 20 companies, including JYPE (JYP swears that he would fire the staff member who rejected iU). Eventually she settled with a company that had never debuted an artist before and it turned out well for her.
IU was rejected by a lot of companies because she wasn't considered pretty and very plain looking at the time. There were many candidates selected over her who were much better looking or even more vocally talented. IU succeeded on merits that you don't see as easily in an audition like songwriting, genuine personality, and perseverance.
The competition to get into a big company is FIERCE fierce. Someone can have good looks and talent but if they don't fit what the company is looking for they probably won't get in. I'm sure a lot of them have actually tried to and didn't pass, so they have to settle for smaller companies before they get even older.
And also sometimes it works in their favour to have a couple years down the line and transfer to a larger company if theyre sought out for a different concept. E.g. yujeong from lightsum, chaewon in lsf (woolim is medium sized? But hype is for sure an upgrade)
Yeah that makes sense, the members from OnlyOneOf debuted white late
I assume that they are probably the closest companies to where the trainees live, maybe its less expensive, or maybe they even feel like they have a higher chance of debuting under a small company because there arent as many trainees as there would be under say SM or HYBE.
I see, I never thought about that! Thanks!
youre welcome, as a person who nearly got to fly to south korea (couldnt because of the pandemic) , I remember choosing a pretty small, but affordable agency because of the reasons I just said in my original comment:D
Bigger companies have more competition, your odds of debuting in a smaller company are higher (not guaranteed)
And lots of idols who debut in smaller companies started out as trainees with big companies and left when they weren't picked to debut -- the smaller companies grab the most promising non-debuting trainees.
There is also the fact that they may be accepted into multiple companies but the smaller company is offering more freedom or a fairer contract. It’s possible as well that they are guaranteed a debut as the company won’t take on more trainees than they need
I’m watching Produce right now and I see all these trainees from companies I’ve never heard of. Besides Gfriend & Infinite, I’m not really too familiar with many groups that came from a smaller agency. Is it just like a death sentence into nugudom most of the time or do these groups sometimes have a breakthrough into the general public?
I would say the odds are slightly higher this gen than they were during Gen 2, but that is due to the Produce effect. That gave some major standouts from the program who were signed to "no name labels" their big break even without the backing of a major/mid-tier label.
However, it's usually those contestants who at least make the concept evals who tend to be more successful than those who get eliminated earlier.
Also, just because a group comes from a "big label" doesn't mean they are immediately successful out of the gate.
Many Produce participants from mid-tier labels are still struggling, while someone like Chungha (who is technically from a "no name label") is making loads of money.
Hell, Park Jimin from 15& is from JYP and hasn't had success as a solo artist.
Ultimately, it's not just being from a "big label" that makes someone successful (though it helps), it also comes down to so many other factors due to the saturation in the market.
Just as in the west, its about TLC. Timing, a good song, or the right sound at the right time. Company, a good company, even a small one, has to put you in the right place, etc. Luck, some artists are just never going to make it, other that probably shouldn't will because of random luck.
EXID was the perfect TLC. There company was small, but let them go out with a great song, and booked them at the festival where luck would have it some dude would fancam it on post on youtube.
For a lot of them, their groups will fail and they'll go on to work in the industry in other ways, vocal coaches, dance teachers, etc. Just like the west.
There was a Soompi article claiming that each year somewhere along the lines of 200 groups are in "preparation" for debuting, around 40 debut and maybe 1 or 2 of them will be successful. These are shaky numbers from my recollection of an article but seem to get across the point. Which is to say that most groups in Kpop fail. This is especially true of groups from smaller agencies.
Seriously, check out this video showing all the girl group debuts of 2015. While the 53 number soompi comes up with includes subunits, there is still an outrageous number of girl groups debuting in one year. Out of all of them, Twice became the top girl group, Gfriend is a top tier girl group and Oh My Girl is a mid-tier girl group. No other girl group on this list has made a profit yet and most of them have disbanded. Success is very top heavy in entertainment industries and Kpop is no exception.
Edit: Here's the soompi article. The numbers are even worse than I remembered. 300 preparing to debut and 50 actually debuting each year.
Welp this almost makes me wanna stop supporting the trainees I do to spare myself future pain.
This made me remember why I only watch comebacks. Too many times there's an interesting group and poof.
I don't imagine they've made a profit, but CLC, April and DIA are at least fairly recognised.
Well, certainly they've got some recognition from their companies and certain members, especially from international fans. But none of the groups have been able to chart at all recently. And their fandoms seem to be about as big as a rookie like Cherry Bullet.
As an I.O.I. fanatic, I'm not happy about the situation mind you. But they all have been able to remain idols and keep having comebacks so I'll agree that these groups are significantly above the truly nugu groups.
Those numbers are crazy considering how small the industry is.
Like Boa said on Produce 101, there are too many kids trying to debut these days. Even with the hallyu wave, there just isn't enough money to sustain all these groups.
Course, how many kids banged away at their guitar hoping to become a rock star and failed? I'm guessing the ratio ain't that different.
Bts, Mamamoo, and Chungha all came from small companies. The likelihood that your group will fail is higher if your from a small company but it is not a death sentence.
BTS is the insane exception to every rule in the industry. Though even BigHit had 2AM for a while (originally a JYP group as the brother to 2PM), who had some very popular songs in Korea.
A lot of them fade away but some get a glimpse of the spotlight then fail to follow up. It's chance really, no formula for success.
So i recently started working as a recruiter for a talent acquisition agency. It took a good long while for me to land this job and the search, the sent resumes the motivational letters the 0 reply from companies was hell. This is what i see from the inside:
Feedback is hard: especially if someone does not ask. there is a lot of candidates and with competition and deadlines being so tight there is no time that can be set aside for giving feedback to the people i've talked to this week or something. But boy sometimes i wish there was. -> call and write to us. sometimes companies don't allow feedback or written feedback, but a call off-record is a different matter (especially if it can be arranged for a home office day).
Companies can be a nightmare: so the jobs that are outsourced to talent agencies are either too difficult to fill for the company or the company has no idea how to find people. This means at times they can be rather silly (and yes im being polite about it), they ghost us, very clearly blow off candidates for bullshit reasons, lie to us about the job description and take forever with reviewing the candidates. Because of the success fee system (we get paid if they hire someone that we showed them) they can just drag the process out. And ofc we can't just tell the candidates "sorry the partner company's HR is just dumb" because we cannot speak ill of them. If you have not heard fro us we likely have not heard form them -> if you are further along the interview process ASK if we know anything or what stage in the process you are at, we can at least let you know what we do know.
Headhunting: If you don't see a company name listed or a recruiter finds you and does not tell you things like the name of the company they are most likely not trying to be sus they just what to be the one to show your profile to the partner company. If they tell you the company name they risk you going to the website and just applying there, so they loose you as a candidate. -> On the upside the double interview process usually means the candidate is better prepared for the company interview, because we also want you to have a higher salary and the best possible chance at getting the job.
If you have any questions please ask,, i can't promise to be quick but i will reply as much as i can.
I often see roles filled by ex-colleagues or associates of people high up, clear and obvious nepotism, jobs for the boys and girls, where the successful candidate has little experience or even know-how. The connection seems to trump know-how and experience every time.
Is there anything a candidate outside the networks can do to increase their chances of success?
I'll be perfectly honest and say not really. Not on our level. If the CEO wants his wife's cousin's son in the spot most likely that is what will happen. At that point its out of a recruiter's hands. What I can say is that at least if a third-party recruitment agency is working on the job that means the company did not have a relative or friend on the wait list and wants the spot filled bad enough that they are willing to pay for someone to help them do it.
In general I'd say something you probably heard before: Make lots of LinkedIn connections, keep your skill list updated and put everything that you know on it,. If you have any gaps in your CV fill it with something, it does not have to be strictly true just plausible. If a recruiter finds you be quick to set up an interview, the first few candidates are often the most memorable. And when it comes to interview have a relevant project in mind that you can talk about that involved the skills the job required. They often say "something you are most proud of" what they actually mean is "something that demonstrates both the hard and soft skills required of you in the position you are applying for".
I don't agree with the sentiment here.
Along with it being a numbers game in nature, having the soft skills and charisma to be so personable and have their first impression of you stick such that you become their top pick. (After comparing candidate qualifications to ensure This doesn't end up being a personality hire)
Just show candidates respect. That's the minimum requirement in your role.
I think that is a given. I fully agree that being polite and respectful is the minimum.
Why all the ghosting as well as lies about how great they think you are just to get TBNT?
I can't speak for all companies but where i work at its usually someone higer up on the proverbial foodchain disageeing. Sometimes its my team lead, but most often its the parner company.
Someone we thought after an interview is a perfect fit might not even get called in to have an interview at the company. (we do follow up on this with the company, ask what is happening trying to get an answer.) Sometimes the company decides that actually they don't want to fill the post.
On anoter note im so sorry that you had to go trough that. hyping someone up only to let them down or ghost them is so common. It sucks big time especially if you have hope after several interviews. Also the reason i try to be as transparent as possible with my candidates, make no promises i can't keep.
Knowing the company name is a must. Otherwise you risk having the candidate being double submitted by 2 different competing 3rd party recruiters.
Well yes you are right. The recruiter company would know the partner company's name. Very hard to have contracts otherwise 😅 But if the candidate is not told it right away then it means there are multiple 3rd party recruiters on the job.
(They are usually told after the name has been checkd by the partner company if they know them or not. This way the candidate is 'claimed'.)
How about you LEAD with the pay rate or range in the initial email? Or when asks you NOT play stupid games like "how much do you want?" When asked directly what they pay will be.
Oh, i'd love to. I'm sitting on pins and needles until the EU pay transparency law comes into action. However most often we are not allowed to tell. Yes, our bosses can check what we write. Plus most of the time we don't know what number the partner company will offer, so sending a candidate in being promised an exact number when we cant make such a promise in the name of our partner company is not something that would end well.
So yeah the law can't come fast enough. Trust me we do not enjoy the games either.
Then how come when I say "$100 per hour" the recruiter IMMEDIATELY comes back with the real pay rate?
Play stupid games win stupid prizes.
How do kpop agencies recruit trainees
Key Considerations for K-Pop Agency Recruitment:
Auditions:
Scouting:
Application Process:
Training Period:
Evaluation:
Final Selection:
Takeaway: If you're interested in pursuing a career in K-Pop, focus on developing your skills in singing, dancing, and performance. Attend auditions and be prepared for a competitive environment. Networking and showcasing your talent on social media can also increase your chances of being noticed by agencies.
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